Westminster Library

2022 NATIONAL BOOK AWARD FINALIST ONE OF THE LOS ANGELES TIMES' TOP 5 FICTION BOOKS OF THE YEAR ONE OF TIME AND SLATE'S TOP 10 BOOKS OF THE YEAR Named one of the BEST BOOKS OF 2022 by NPR, Vogue, Vulture, BuzzFeed, Harper's Bazaar, and more "One of the buzziest, most human novels of the year...breathless, dizzying, and completely beautiful." --Vogue "Dazzling and wholly original...[written] with such mordant wit, insight, and specificity, it feels like watching a new literary star being born in real time." --Entertainment Weekly From a brilliant new voice comes an electrifying novel of a young immigrant building a life for herself--a warm, dazzling, and profound saga of queer love, friendship, work, and precarity in twenty-first century America Graduating into the long maw of an American recession, Sneha is one of the fortunate ones. She's moved to Milwaukee for an entry-level corporate job that, grueling as it may be, is the key that unlocks every door: she can pick up the tab at dinner with her new friend Tig, get her college buddy Thom hired alongside her, and send money to her parents back in India. She begins dating women--soon developing a burning crush on Marina, a beguiling and beautiful dancer who always seems just out of reach. But before long, trouble arrives. Painful secrets rear their heads; jobs go off the rails; evictions loom. Sneha struggles to be truly close and open with anybody, even as her friendships deepen, even as she throws herself headlong into a dizzying romance with Marina. It's then that Tig begins to draw up a radical solution to their problems, hoping to save them all. A beautiful and capacious novel rendered in singular, unforgettable prose, All This Could Be Different is a wise, tender, and riveting group portrait of young people forging love and community amidst struggle, and a moving story of one immigrant's journey to make her home in the world.

Literary icon and great American novelist Julia Alvarez, bestselling author of In the Time of the Butterflies and How the García Girls Lost Their Accents, returns with a luminescent novel about storytelling that reads like an instant classic. "Only an alchemist as wise and sure as Alvarez could swirl the elements of folklore and the flavor of magical realism around her modern prose and make it all sing . . . Lively, joyous . . . often witty, occasionally somber and elegiac." --Luis Alberto Urrea, The New York Times Book Review "Engaging and written in a playful, crystal-clear prose, this novel explores friendship, love, sisterhood, living between cultures, and how people can be haunted by the things they don't finish . . . Entertaining . . . Heartwarming." --Gabino Iglesias, The Boston Globe **Named a Most Anticipated Book by the New York Times, Washington Post, Today.com, Goodreads, B&N Reads, Literary Hub, HipLatina, BookPage, BBC.com, Zibby Mag, and more** Alma Cruz, the celebrated writer at the heart of The Cemetery of Untold Stories, doesn't want to end up like her friend, a novelist who fought so long and hard to finish a book that it threatened her sanity. So when Alma inherits a small plot of land in the Dominican Republic, her homeland, she has the beautiful idea of turning it into a place to bury her untold stories--literally. She creates a graveyard for the manuscript drafts and the characters whose lives she tried and failed to bring to life and who still haunt her.   Alma wants her characters to rest in peace. But they have other ideas and soon begin to defy their author: they talk back to her and talk to one another behind her back, rewriting and revising themselves. Filomena, a local woman hired as the groundskeeper, becomes a sympathetic listener to the secret tales unspooled by Alma's characters. Among them, Bienvenida, dictator Rafael Trujillo's abandoned wife who was erased from the official history, and Manuel Cruz, a doctor who fought in the Dominican underground and escaped to the United States.   The Cemetery of Untold Stories asks: Whose stories get to be told, and whose buried? Finally, Alma finds the meaning she and her characters yearn for in the everlasting vitality of stories. Julia Alvarez reminds us that the stories of our lives are never truly finished, even at the end.

A debut novel of female friendship and coming-of-age from Jazmina Barrera, acclaimed author of Linea Nigra and On Lighthouses, translated by Christina MacSweeney. It was meant to be the trip of a lifetime. Mila, Citlali, and Dalia, childhood friends now college aged, leave Mexico City for the London of The Clash and the Paris of Courbet. They anticipate the cafés and crushes, but not the early signs that they are each steadily, inevitably changing.  That feels like forever ago. Mila, now a writer and a new mother, has just published a book on needlecraft--an art form so long dismissed as "women's work." But after learning Citlali has drowned, Mila begins to sift through her old scrapbooks, reflecting on their shared youth for the first time as a new wife and mother. What has come of all the nights the three friends spent embroidering together in silence? Did she miss the signs that Citlali needed help?

Our narrator produces a sound from the piano no one else at the Conservatory can. She employs a technique she learned from her parents-also talented musicians-who fled China in the wake of the Cultural Revolution. But when an accident leaves her parents debilitated, she abandons her future for a job at a high-end beauty and wellness store in New York City. Holistik is known for its remarkable products and procedures-from remoras that suck out cheap Botox to eyelash extensions made of spider silk-and her new job affords her entry into a world of privilege and gives her a long-awaited sense of belonging. She becomes transfixed by Helen, the niece of Holistik's charismatic owner, and the two strike up a friendship that hazily veers into more. All the while, our narrator is plied with products that slim her thighs, smooth her skin, and lighten her hair. But beneath these creams and tinctures lies something sinister. A piercing, darkly funny debut, Natural Beauty explores questions of consumerism, self-worth, race, and identity-and leaves readers with a shocking and unsettling truth.

NEW YORK TIMES BESTSELLER * READ WITH JENNA'S MAY BOOK CLUB PICK * From the award-winning author of Goodbye, Vitamin: How far would you go to shape your own destiny? An exhilarating novel of American identity that spans three generations in one family and asks: What makes us who we are? And how inevitable are our futures?  "Mesmerizing"--Brit Bennett * "A page turner."--Ha Jin * "Gorgeous, heartfelt, soaring, philosophical and deft"--Andrew Sean Greer * "Traverses time with verve and feeling."--Raven Leilani Real Americans begins on the precipice of Y2K in New York City, when twenty-two-year-old Lily Chen, an unpaid intern at a slick media company, meets Matthew. Matthew is everything Lily is not: easygoing and effortlessly attractive, a native East Coaster, and, most notably, heir to a vast pharmaceutical empire. Lily couldn't be more different: flat-broke, raised in Tampa, the only child of scientists who fled Mao's Cultural Revolution. Despite all this, Lily and Matthew fall in love. In 2021, fifteen-year-old Nick Chen has never felt like he belonged on the isolated Washington island where he lives with his single mother, Lily. He can't shake the sense she's hiding something. When Nick sets out to find his biological father, the journey threatens to raise more questions than it provides answers. In immersive, moving prose, Rachel Khong weaves a profound tale of class and striving, race and visibility, and family and inheritance--a story of trust, forgiveness, and finally coming home. Exuberant and explosive, Real Americans is a social novel par excellence that asks: Are we destined, or made? And if we are made, who gets to do the making? Can our genetic past be overcome?

"In this vulnerable and courageous memoir, Prachi Gupta takes the myth of the exceptional Indian American family to task."-The Washington Post "I read it in one sitting. Wow. It aims right at the tender spot where racism, sexism, and family dynamics collide, and somehow manages to be both searingly honest and deeply compassionate."-Celeste Ng, New York Timesbestselling author of Little Fires Everywhere A SHE READS BEST BOOK OF THE YEAR . ONE OF THE BEST BOOKS OF THE SEASON- The New York Times, The Washington Post, The Boston Globe, Bustle How do we understand ourselves when the story about who we are supposed to be is stronger than our sense of self? What do we stand to gain-and lose-by taking control of our narrative? Family defined the cultural identity of Prachi and her brother, Yush, connecting them to a larger Indian American community amid white suburbia. But their belonging was predicated on a powerful myth- the idea that Asian Americans, and Indian Americans in particular, have perfected the alchemy of middle-class life, raising tight-knit, high-achieving families that are immune to hardship. Molding oneself to fit this image often comes at a steep, but hidden, cost. In They Called Us Exceptional, Gupta articulates the dissonance, shame, and isolation of being upheld as an American success story while privately navigating traumas the world says do not exist. Gupta addresses her story to her mother, braiding a deeply vulnerable personal narrative with history, postcolonial theory, and research on mental health to show how she slowly made sense of her reality and freed herself from the pervasive, reductive myth that had once defined her. But tragically, the act that liberated Gupta was also the act that distanced her from those she loved most. By charting her family's slow unraveling, and her determination to break the cycle, Gupta shows how traditional notions of success keep us disconnected from ourselves and one another-and passionately argues why we must orient ourselves toward compassion over belonging.

In this electrifyingly fierce and funny social satire--a gender-flipped reboot of the iconic 1970s film Taxi Driver--a ride share driver is barely holding it together on the hunt for love, dignity, and financial security...until she decides she's done waiting. "A ferocious new voice. A fierce and immersive debut." --Weike Wang, author of Joan is Okay and Chemistry Damani is tired. Her father just died on the job at a fast-food joint, and now she lives paycheck to paycheck in a basement, caring for her mom and driving for an app that is constantly cutting her take. The city is roiling in protests--everybody's in solidarity with somebody--but while she keeps hearing that they're fighting for change on behalf of people like her, she literally can't afford to pay attention.     Then she gives a ride to Jolene (five stars, obviously). Jolene seems like she could be the perfect girlfriend--attentive, attractive, an ally--and their chemistry is off the charts. Jolene's done the reading, she goes to every protest, and she says all the right things. So maybe Damani can look past the one thing that's holding her back: she's never dated anyone with money before, not to mention a white girl with money. But just as their romance intensifies and Damani finally lets her guard down, Jolene does something unforgivable, setting off an explosive chain of events. A wild, one-sitting read brimming with dark comedy, and piercing social commentary and announcing Priya Guns's feverishly original voice, Your Driver Is Waiting is a crackling send-up of our culture of modern alienation.

"An inventive work of metafiction that grapples with the horrific realities of Mexico's drug wars and the families left grieving without bodies to bury." --Kristen Martin, NPR: Books We Love 2024 "Reminiscent of the best passages in Roberto Bolaño's The Savage Detectives. Gerard Morrison has written the next chapter in the Magical-Realist-Surrealist-Realist-Infrarealist lineage, a suspenseful--what else, after all, does a wait consist of?--entry into the canon of the Mexican present." --Sean McCoy, The Brooklyn Rail Pages of Mourning is a stunning achievement, a pioneering and inventive novel that confronts family history, creativity, Magical Realism, and the impact of violence from Mexico's drug war, by a magnificent new talent in Diego Gerard Morrison. It's 2017 and the crisis of forced disappearances has reached a tipping point after 43 docent students disappeared and are feared dead. Aureliano Más the Second is a fledgling writer at a lucrative fellowship in Mexico City chaired by his aunt, Rose. When Aureliano was very young, his mother left without reason or trace. Aureliano is attempting to write a novel that mirrors his mother's unexplained disappearance while shattering Magical Realism as a genre in the process. It doesn't help though, that he's named after the protagonist of a touchstone of the Magical Realist canon, and raised in the mythical town of Comala. Aureliano searches for insight and closure from his father and from Rose, who grappled with his mother's disappearance through a failed novel of her own. Their stories lead back to the 1980's and the burgeoning drug trade, as Rose and Aureliano's mother journey as young runaways throughout the Mexican countryside. Meanwhile, Aureliano's addictions and the overwhelming burden of the past threaten his tenuous position at the fellowship, just as a deadly earthquake strikes Mexico City on the exact same date as a legendary earthquake struck in 1985. Pages of Mourning is a daring, captivating, darkly funny novel that grapples with uncertainty and loss in a land of violence and superstition, while questioning whether Magical Realism as a genre is capable of confronting the brutal dissonance of a country that awaits the return of the missing while not wholly acknowledging their death. Monumental, lyrical, and engrossing, Pages of Mourning is a towering accomplishment by one of the most exciting new writers at work today.

NATIONAL BESTSELLER * Life is a lucrative business, as long as you play by the rules. Skimm Reads Pick * People Book of the Week * Belletrist Book Pick * "[Joanne] Ramos's debut novel couldn't be more relevant or timely."--O: The Oprah Magazine NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Time * Glamour * Real Simple * Good Housekeeping * Marie Claire * Town & Country Nestled in New York's Hudson Valley is a luxury retreat boasting every amenity: organic meals, personal fitness trainers, daily massages--and all of it for free. In fact, you're paid big money to stay here--more than you've ever dreamed of. The catch? For nine months, you cannot leave the grounds, your movements are monitored, and you are cut off from your former life while you dedicate yourself to the task of producing the perfect baby. For someone else. Jane, an immigrant from the Philippines, is in desperate search of a better future when she commits to being a "Host" at Golden Oaks--or the Farm, as residents call it. But now pregnant, fragile, consumed with worry for her family, Jane is determined to reconnect with her life outside. Yet she cannot leave the Farm or she will lose the life-changing fee she'll receive on the delivery of her child. Gripping, provocative, heartbreaking, The Farm pushes to the extremes our thinking on motherhood, money, and merit and raises crucial questions about the trade-offs women will make to fortify their futures and the futures of those they love. NOMINATED FOR THE NAACP IMAGE AWARD * LONGLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE "So many factors--gender, race, religion, class--may determine where you come down on the surrogacy debate. . . . Ramos plays with many of these notions in her debut novel, The Farm, which imagines what might happen were surrogacy taken to its high-capitalist extreme. . . . The stage is set for lively book chat."--The New York Times Book Review (Editors' Choice) "A thrilling read."--New York  "Grippingly realistic."--Entertainment Weekly "Brilliant."--New York Post "A provocative idea, and Ramos nails it . . . Crisp and believable, this smart debut links the poor and the 1 percent in a unique transaction that turns out to be mutually rewarding."--People "Wow, Joanne Ramos has written the page-turner about immigrants chasing what's left of the American dream. . . . Truly unforgettable."--Gary Shteyngart, New York Times bestselling author of Super Sad True Love Story and Lake Success

NATIONAL BESTSELLER * ONE OF THE NEW YORK TIMES BEST BOOKS OF THE YEAR * Nine stunningly original, provocative, and poignant stories--two published for the very first time--all from the mind of the incomparable author of Stories of Your Life and Others Ted Chiang tackles some of humanity's oldest questions along with new quandaries only he could imagine. In "The Merchant and the Alchemist's Gate," a portal through time forces a fabric seller in ancient Baghdad to grapple with past mistakes and second chances. In "Exhalation," an alien scientist makes a shocking discovery with ramifications that are literally universal. In "Anxiety Is the Dizziness of Freedom," the ability to glimpse into alternate universes necessitates a radically new examination of the concepts of choice and free will. Including stories being published for the first time as well as some of his rare and classic uncollected work, Exhalation is Ted Chiang at his best: profound, sympathetic--revelatory.